One of my esteemed colleagues quite a number of years ago
gave me a little book entitled Esperanto.
It is by J. Cresswell and J. Hartley and issued by Teach Yourself Books. It’s
not the kind of book you read, but
one that produces delight at intervals. For that reason it occupies a “busy”
shelf I tend to look at two, three times a week.
Perhaps the most wonderful creations in life are those that requires
enormous, complex, and transcending efforts that—viewed from an ordinary,
main-street, realistic view—are entirely unlikely to reach their goal.
Esperanto was the creation of a Polish eye-doctor, Dr. L.L. Zamenhof (1859-1917).
He felt that before humanity was ready to tackle the grave problems that
confront it, the “language problem” had to be overcome—and so he set to work. Ah,
the psychic airs of the nineteenth century West. Zamenhof was “one who hopes”—the
name of his language in English. Now, of course, this creative tour de force didn’t entirely vanish. Books
have been written in it. It is the native language of 1,000 people; 10,000
speak it fluently; and I am one of 10 million who have studied it “to some
extent at some time.” These are the sorts of minorities to which I tend to belong—never
more than, at best, 10 million. Zamenhof died as World War I was raging. The
first grammar of the language had been published in 1887—not time enough,
evidently, to conquer the globe. Ho ve!
Meaning “Alas!” in Esperanto. The roots of that? Probably the Yiddish Oy vey. Word-roots in Esperanto derive
from Western languages. Asia did not as yet throw the sort of shadow over the
world that it does today.
A man much better known as a creator of so-called
constructed languages is J.R.R. Tolkien. He created more than twenty Elvish languages; the full list is
still being counted as his unpublished papers are studied. With Tolkien we’re
yet another step upward, as it were, in the transcending direction, because his
linguistic creations served art. And such efforts also have their parallels in
other fields. In the realm of architecture, the monuments I admire most are the
Watts Towers constructed by Sabato Rodia. The image I show is from Wikipedia
(link).
Sometimes when I pass that shelf and see my copy of Esperanto, I’ve just been reading the
news or, as happened yesterday, anticipated a medical day that came today—one
of the less pleasant kind. Then my mind tends to produce the word Desperanto—the
language I ought to learn instead. Original with me, that word—but I discovered
today that others have used it too. There is even a song by that title, written
by Marianne Faithful. It’s opening lines:
Desperanto spoken here, today I hear it everywhere
It is the language of despair, it's in your nails and it's in your hair
It's in your mouth instead of air, it's in your house, it's in your heart
It's in your mind, it's everywhere, it's in your heart, it's in your heart.
It is the language of despair, it's in your nails and it's in your hair
It's in your mouth instead of air, it's in your house, it's in your heart
It's in your mind, it's everywhere, it's in your heart, it's in your heart.

