Some mornings, laughing at the news, Brigitte and I are
quite convinced that the Rapture—or perhaps it’s only the Pre-Rapture—has
already been, and the two of us were Left Behind, or maybe we were only Pre-Abandoned.
So who’s in the clouds? The Pre-Rapture is that strange dimension called the
social media. The occasion this morning was the discovery in the Wall Street Journal that Twitter has
introduced “favoriting.” It comes in two varieties, evidently, but only in the
mind of the person who does it. Straight-favoriting is, ah, the same as
clicking Like on other social media sites. Hate-favoriting is exactly the same,
but your vast network of followers will know that you favorite the feed because you hate
it. Funny that a network that restricts messages to 140 characters would “favorite”
(I count 8 letters) versus “like” (4).
Twitter has earlier sounded the Retweet—which became a
monumental fave thus probably evolving into favoriting other streams which now,
appropriately iconicized, decorate the once very arid Twitter page.
Norman Mailer, who started well but then grew ever more
needy, as they say, needy for more attention, so much so that he once stabbed
his second of six wives, and also ran for Mayor of New York, once wrote a book
entitled Advertisements for Myself—and
thus might be viewed as the chief prophet of the social media. Soon after his
death in 2007, the End of Time produced the explosion of Pre-Raputure—which, as
it unfolds, renders those of us left grubbing in the ground, raising our
butterflies (of which three new ones are approaching the chrysalis stage again)
totally baffled about the nature of genuine reality up in the sky.
Meanwhile, to keep the unbelievers down in the trenches
properly penitent, the paper companies have introduced their own magical
innovation, called desheeting. You don’t know what desheeting is? Well, the
toilet paper roll? The paper towel roll? Remember those old things? Now they
cost the same or more than they ever did; but, innovation!, they have fewer
sheets. But, with the employment of new arts of puffing up the product, they look as fat as
ever.
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