A while back now, I got a volume titled Women’s Letters,
America from the Revolutionary War to the Present, edited by Lisa Grunwald and
Stephen J. Adler (Dial Press, 2005). Many of the figures in that volumes were
well-known or relatives of the
well-known. Their letter-writing skills, therefore, might be attributed to
education and standing in society. The letter I’d like to reproduce here was
written by an ordinary woman; she was the wife of a major serving in Britain’s
Army in India. It was originally published in Phantasms of the Living (vol. ii, p. 239), and I came across it in
Myers’ Human Personality, hence its
subject matter. Now there are many, many such letters, equally well done, in
that work and the Proceedings of the
Society of Psychical Research; hence, in a way, we are looking at the “average”
of middle- and upper-class writing in the nineteenth century. Herewith the
letter:
In the month of November 1864, being detained in Cairo, on my way
out to India, the following curious circumstance occurred to me: -
Owing to an unusual influx of travellers, I, with the young lady
under my charge (whom we will call D.) and some other passengers of the
outward-bound mail to India, had to take up our abode in a somewhat
unfrequented hotel. The room shared by Miss D. and myself was large, lofty, and
gloomy; the furniture of the scantiest, consisting of two small beds, placed
nearly in the middle of the room and not touching the walls at all, two or
three rush-bottomed chairs, a very small washing-stand, and a large
old-fashioned sofa of the settee sort, which was placed against one-half of the
large folding doors which gave entrance to the room. This settee was far too
heavy to be removed, unless by two or three people. The other half of the door
was used for entrance, and faced the two beds. Feeling rather desolate and
strange, and Miss D. being a nervous person, I locked the door, and, taking out
the key, put it under my pillow; but on Miss D. remarking that there might be a
duplicate which could open the door from outside, I put a chair against the
door, with my travelling bag on it, so arranged that, on any pressure outside,
one or both must fall on the bare floor, and make noise enough to rouse me.
We then proceeded to retire to bed, the one I had chosen being
near the only window in the room, which opened with two glazed doors, almost to
the floor. These doors, on account of the heat, I left open, first assuring
myself that no communication from the outside could be obtained. The window led
on to a small balcony, which was isolated, and was three stories above the
ground.
I suddenly woke from a sound sleep with the impression that somebody had
called me, and, sitting up in bed, to my unbounded astonishment, by the clear
light of early dawn coming in through the large window before mentioned, I
beheld the figure of an old and very valued friend whom I knew to be in England.
He appeared as if most eager to speak to me, and I addressed him with, “Good gracious! how did you come here ? “ So clear was the figure, that I noted
every detail of his dress, even to three onyx shirt-studs which he always wore.
He seemed to come a step nearer to me, when he suddenly pointed across the
room, and on my looking round, I saw Miss D. sitting up in her bed, gazing at
the figure with every expression of terror. On looking back, my friend seemed
to shake his head, and retreated step by step, slowly, till he seemed to sink
through that portion of the door where the settee stood. I never knew what
happened to me after this; but my next remembrance is of bright sunshine
pouring through the window. Gradually the remembrance of what had happened came
back to me, and the question arose in my mind, had I been dreaming, or had I
seen a visitant from another world? - the bodily presence of my friend being
utterly impossible.
Remembering that Miss D. had seemed aware of the figure as well as
myself, I determined to allow the test of my dream or vision to be whatever she
said to me upon the subject, I intending to say nothing to her unless she spoke
to me. As she seemed still asleep, I got out of bed, examined the door
carefully, and found the chair and my bag untouched, and the key under my
pillow; the settee had not been touched, nor had that portion of the door
against which it was placed any appearance of being opened for years.
Presently, on Miss D. waking up, she looked about the room, and,
noticing the chair and bag, made some remark as to their not having been much
use. I said, “What do you
mean?” and then she said, “Why, that man who was in the room this
morning must have got in somehow.” She then proceeded to describe to me exactly what I myself had
seen. Without giving any satisfactory answer as to what I had seen, I made her
rather angry by affecting to treat the matter as a fancy on her part, and
showed her the key still under my pillow, and the chair and bag untouched. I
then asked her, if she was so sure that she had seen somebody in the room, did
not she know who it was ? “No,” said she, “I have never seen him before, nor any
one like him.” I said, “Have you ever seen a photograph of him?” She said, “No.” This lady never was told what I saw, and yet described exactly to
a third person what we both had seen.
Of
course, I was under the impression my friend was dead. Such, however, was not
the case; and I met him some four years later, when, without telling him
anything of my experience in Cairo, I asked him, in a joking way, could he
remember what he was doing on a certain night in November 1864. “Well,” he
said, “you require me to have a good memory;” but after a little reflection he
replied, “Why, that was the time I was so harassed with trying to decide for or
against the appointment which was offered me, and I so much wished you could
have been with me to talk the matter over. I sat over the fire quite late,
trying to think what you would have advised me to do.” A little cross-questioning
and comparing of dates brought out the curious fact that, allowing for the
difference of time between England and Cairo, his meditations over the fire and
my experience were simultaneous. Having told him the circumstances above
narrated, I asked him had he been aware of any peculiar or unusual sensation.
He said none, only that he had wanted to see me very much.
E. H.
Elgee.
1864 was firmly in the Age of Letter-Writing. Quite often on
Masterpiece Theater, we hear characters excusing themselves because “I have to
catch up on my correspondence.” No. That is not a simple ruse to get the
character off-stage. They did then
write lots of letters. And this sample shows how spending time and effort,
produces skill that seems effortless. It flows from the fingers to the paper—and
via pens regularly dipped into a bottle of live ink at that…